Tradition and the Individual Talent is a notable literary work by T. S. Eliot. A complete discussion of this literary work is given, which will help you enhance your literary skills and prepare for the exam. Read the Main texts, Key info, Summary, Themes, Characters, Literary devices, Quotations, Notes, and various study materials of Tradition and the Individual Talent.
Brief Questions: Tradition and Individual Talent
Ans: They simply call poetry “traditional” without truly understanding what tradition means.
Ans: Each has its own creative and critical spirit.
Ans: Tradition is broader than merely copying one’s immediate predecessors.
Ans: It makes him write with awareness of both his own time and all past literature.
Ans: It is the sense of the timeless and the temporal existing together.
Ans: It lies in his relationship with past poets and artists.
Ans: It subtly changes the meaning of all previous works of art.
Ans: They should be applied carefully and slowly.
Ans: We say it either fits with the past or appears too different from it.
Ans: He must be aware of the true current of artistic tradition, not just famous names.
Ans: That art does not improve, but its material and human mind evolve constantly.
Ans: Toward the poem itself, not the poet.
Ans: Poetry as a living whole that includes all past and present works.
Ans: He calls it the “impersonal theory of poetry.”
Ans: Poetry should be judged apart from the poet’s personality or emotions.
Ans: A mature poet can act as a medium for expression, not as a self-centered creator.
Ans: Platinum in a chemical reaction that causes change but remains unaffected.
Ans: It is a receptacle storing countless feelings and images until they combine to form poetry.
Ans: In Agamemnon, emotion belongs to the spectator; in Othello, to the hero himself.
Ans: It unites many feelings unrelated to the bird but linked through its fame.
Ans: They may be simple, crude, or flat.
Ans: It is Wordsworth’s theory from the Romantic Age.
Ans: He is conscious where he should not be, and unconscious where he should be.
Ans: They make him personal instead of impersonal.
Ans: Poetry is not emotion released, but an escape from emotion and personality.
Ans: To shift attention from the poet to the poem.
Ans: A continual self-sacrifice and extinction of personal ego.
Ans: It is impersonal and universal.
Ans: The poet’s personal feelings must not appear in his poems.
Ans: A substance that speeds a reaction but remains unchanged afterward.
Ans: It means depersonalization of the poet in the creative process.
Ans: Awareness of both the presence of the past and the pastness of the present.
Ans: When it means blind imitation of immediate predecessors.
Ans: It collects emotions and ideas and transforms them into new poetic compounds.
Ans: Only by hard labour and deep study, not by inheritance.
Ans: It is a historical sense linking past and present literature in one living continuum.
Ans: Not to find new emotions, but to use ordinary ones creatively in his poetry.
