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Brief Questions Tradition and Individual Talent

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Tradition and the Individual Talent is a notable literary work by T. S. Eliot. A complete discussion of this literary work is given, which will help you enhance your literary skills and prepare for the exam. Read the Main texts, Key info, Summary, Themes, Characters, Literary devices, Quotations, Notes, and various study materials of Tradition and the Individual Talent.

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Brief Questions: Tradition and Individual Talent

  • What do critics usually do regarding tradition when judging a poet’s work?

Ans: They simply call poetry “traditional” without truly understanding what tradition means.

  • What does every nation and race have?

Ans: Each has its own creative and critical spirit.

  • What is tradition broader than?

Ans: Tradition is broader than merely copying one’s immediate predecessors.

  • What does the historical sense compel a writer to do?

Ans: It makes him write with awareness of both his own time and all past literature.

  • What is the historical sense?

Ans: It is the sense of the timeless and the temporal existing together.

  • Where does the importance of a poet lie?

Ans: It lies in his relationship with past poets and artists.

  • What happens when a new work of art is created?

Ans: It subtly changes the meaning of all previous works of art.

  • How should value judgments be made?

Ans: They should be applied carefully and slowly.

  • What do we usually say about a new work?

Ans: We say it either fits with the past or appears too different from it.

  • What must the poet be conscious of?

Ans: He must be aware of the true current of artistic tradition, not just famous names.

  • What must the poet be aware of about art?

Ans: That art does not improve, but its material and human mind evolve constantly.

  • What is honest criticism directed toward?

Ans: Toward the poem itself, not the poet.

  • What conception of poetry does Eliot suggest?

Ans: Poetry as a living whole that includes all past and present works.

  • What does Eliot call this theory?

Ans: He calls it the “impersonal theory of poetry.”

  • What is the impersonal theory of poetry?

Ans: Poetry should be judged apart from the poet’s personality or emotions.

  • How does a mature poet differ from an immature one?

Ans: A mature poet can act as a medium for expression, not as a self-centered creator.

  • What example of a catalyst does Eliot give?

Ans: Platinum in a chemical reaction that causes change but remains unaffected.

  • What is the poet’s mind like?

Ans: It is a receptacle storing countless feelings and images until they combine to form poetry.

  • How does Eliot compare Agamemnon and Othello?

Ans: In Agamemnon, emotion belongs to the spectator; in Othello, to the hero himself.

  • What does Eliot say about Keats’s “Ode to a Nightingale”?

Ans: It unites many feelings unrelated to the bird but linked through its fame.

  • What kind of emotions can a poet have?

Ans: They may be simple, crude, or flat.

  • Whose poetic theory is “emotions recollected in tranquillity”?

Ans: It is Wordsworth’s theory from the Romantic Age.

  • What does Eliot say about a bad poet?

Ans: He is conscious where he should not be, and unconscious where he should be.

  • What do these errors make a bad poet?

Ans: They make him personal instead of impersonal.

  • How does Eliot define poetry creation?

Ans: Poetry is not emotion released, but an escape from emotion and personality.

  • What is a laudable aim?

Ans: To shift attention from the poet to the poem.

  • What does progress of an artist mean?

Ans: A continual self-sacrifice and extinction of personal ego.

  • How is the emotion of art according to Eliot?

Ans: It is impersonal and universal.

  • What is the impersonal theory of poetry?

Ans: The poet’s personal feelings must not appear in his poems.

  • What is a catalyst?

Ans: A substance that speeds a reaction but remains unchanged afterward.

  • What does “a continual extinction of personality” mean?

Ans: It means depersonalization of the poet in the creative process.

  • What does the historical sense involve?

Ans: Awareness of both the presence of the past and the pastness of the present.

  • When should tradition be discouraged?

Ans: When it means blind imitation of immediate predecessors.

  • How is the poet’s mind like a catalyst?

Ans: It collects emotions and ideas and transforms them into new poetic compounds.

  • How can tradition be obtained?

Ans: Only by hard labour and deep study, not by inheritance.

  • What does Eliot mean by “tradition”?

Ans: It is a historical sense linking past and present literature in one living continuum.

  • What is the business of the poet?

Ans: Not to find new emotions, but to use ordinary ones creatively in his poetry.