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Comment on the view that Iago is more interesting than Othello.

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Othello is a notable literary work by William Shakespeare. A complete discussion of this literary work is given, which will help you enhance your literary skills and prepare for the exam. Read the Main texts, Key info, Summary, Themes, Characters, Literary devices, Quotations, Notes, and various study materials of Othello.

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Comment on the view that Iago is more interesting than Othello.

Analysis  the Character of Iago in “Othello” 

“Othello” (1622) is an iconic creation by William Shakespeare (1564-1616). The comparison between Iago and Othello as characters in Shakespeare’s “Othello” is a subject of much debate among literary scholars and lovers. The debate over whether Iago is more interesting than Othello in Shakespeare’s play “Othello” is controversial. While both characters possess complexity and depth, a prevailing view is that Iago is more interesting than Othello. Here is the discussion to support this perspective, drawing from the play’s text:

Machiavellian Villain and Manipulation: Iago’s manipulative nature and Machiavellian tactics are central to his character. It makes him a fascinating study in psychological manipulation. His ability to deceive and manipulate those around him, including Othello, Cassio, and Desdemona, is enchanting. One of the most iconic lines reflecting Iago’s manipulative expression is when he says:

“I am not what I am.”

This declaration is expressed by Iago at the very outset of the play when Othello promotes an aristocrat named Cassio above him. 

Complex Motivations: While Othello’s motivations are relatively straightforward—driven by jealousy and insecurity—Iago’s motives are far more multifaceted. He claims to be motivated by Othello’s secret affair with his wife, Emilia. His annoyance toward Othello, his thirst for power, and his enjoyment of causing chaos all contribute to his villainy. He tells Rodrigo about Othello,

“I have told thee often, and I re-tell thee again and again, I hate the Moor.”

This passage hints at Iago’s unclear relationship with truth and his willingness to exploit even baseless suspicions to further his agenda.

The Power of Envy and Annoyance: Iago’s envy and resentment towards those he perceives as more successful or virtuous than himself drive much of his actions. His envy of Cassio’s promotion and suspicion of Othello’s relationship with Desdemona fuel his evil plan. Iago’s soliloquies reveal the depths of his envy and resentment as he says:

“I follow but myself.”

This line illustrates how Iago’s envy consumes him and drives him to destroy those he perceives as his opponents.

Role of the Anti-Hero: While Othello is the play’s tragic hero, Iago serves as its anti-hero. He possesses many qualities typically associated with heroes, such as intelligence, charisma, and determination, but he uses these traits for wicked purposes. This duality makes him an influential character to analyze and examine. He declares,

“So will I turn her virtue into pitch, And out of her own goodness make the net That shall enmesh them all.”

Here, Iago reveals his wicked plan to manipulate Desdemona’s virtue to entrap Othello and others.

Lack of Morality: Unlike Othello, who struggles with his conscience and ultimately suffers from guilt, Iago operates without morality. He is driven solely by his desire for revenge and power. This makes him a fascinating villain. He states,

“Virtue! A fig! ………… Our bodies are our gardens, to the which our wills are gardeners.”

This quote highlights Iago’s fatalistic worldview. It emphasizes his belief that morality is subjective and that individuals are ultimately responsible for their actions.

In conclusion, while Othello is a tragic figure in his own right, Iago’s complexity, manipulative nature, and moral equivocation make him a more intriguing character. His wicked qualities make him one of Shakespeare’s most influential villains. Through his character, Shakespeare offers a profound exploration of human nature, morality, and the destructive power of jealousy and resentment.